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Still, rather than feeling proud, he really just wanted something else to throw himself into. He had thought that he would have to muddle through it for a few weeks, but he had never thought of finishing it all in less than two days. His previous best Craft was only formed of less than a dozen parts. When he dug into his memories of what had happened, he couldn't help but raise an eyebrow. He had wanted to use the others for future Crafts he had in mind. His original plan didn't require so much. Leonel didn't quite know how he ended up using so many materials. Well, let's just say that King Arthur would probably rip his own hair out if he saw the state of his precious treasure vaults. Unless he raided Camelot's vaults again, there wouldn't be anything left to do. A deep sigh left his lips.Īs much as he wanted to lose himself in a world of Crafting again, he had used up all his materials. Leonel grasped at his forehead, a light headache taking hold. His blank expression slowly recovered, a hint of fatigue hiding behind his pupils.Īt that moment, a wall of thoughts Leonel had done his best to ignore these last few days began to resurface once again. But, before he could grab anything, he found that there was nothing left to do.
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Leonel reached toward his work table again. As though by magic, Leonel's body flashed with bronze runes and the bracer sunk into his skin, vanishing as though it was never there. He absentmindedly pressed it into his right forearm. However, despite its beauty, Leonel didn't react much to its appearance at all. Its presence alone seemed to make space warp and quake. It was formed in several layers, giving it a sharp appearance. It shimmered with a beautiful black-silver color. Little Tolly peeled away from the structure, revealing it in all its glory. With a blank expression, Leonel picked up an intricately carved forearm brace. Unfortunately, Leonel had yet to realize that the acceleration of Earth's evolution toward the Fourth Dimension wasn't the only reward for perfectly completing Camelot's trials… But, what was maybe most shocking was a certain unmoving snowglobe began to show signs of being awakened. It had much of the color of a mustard yellow with a tinge of a noble gold that betrayed its distinctiveness.Īt an unknown time, the air grew so heavy that cracks began appearing along the Lab Setting floors. The Auspicious Air became heavier and heavier, growing to a point a dense, dirty gold hung in the air. After all, there was nothing about his actions that seemed to point toward injury in the slightest. It had reached a point where even Aina herself simply assumed that Leonel had been healed. However, the truth of the matter was presented for all to see. To be able to move and act as though anyone else in his situation wouldn't be at the brink of death was baffling indeed. But, at the same time, it made the process all the more awe inspiring.įorgetting the world was one matter, but this had reached the level of even forgetting oneself. His body was just as injured as it had been before his meeting with his grandfather. Shockingly enough, Leonel had yet to bother to waste any time on healing himself. It was as though he had completely forgotten about the world, as though everything else had been destroyed and all that was left was a man, his Metal Spirit and his Craft.Īuspicious Air hung around Leonel, its density increasing with every moment. He seemed to be able to see through everything with a glance, the faint image of a Snowy Owl hovering to his back.Įven after more than a day, Leonel didn't seem to realize the special state he had entered. PLUS: An essay by film critic Craig D.Leonel's hands were as steady as a rock, his gaze measured and sharp.New cover by Drusilla Adeline/Sister Hyde PLUS: An essay by film critic Craig D.English subtitles for the deaf and hard of hearing.Music video from 1991 for 2Pac’s “Brenda’s Got a Baby,” directed by the Hughes brothers.New conversation among Allen Hughes, actor and filmmaker Bill Duke, and Mitchell.New conversation among Albert Hughes, screenwriter Tyger Williams, and film critic Elvis Mitchell.Gangsta Vision, a 2009 featurette on the making of the film.New selected-screen commentary featuring Rinzler.Two audio commentaries from 1993 featuring directors Albert and Allen Hughes.
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Original 2.0 surround soundtrack, presented in DTS-HD Master Audio.In the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and one Blu-ray with the film and special features.New 4K digital restoration of the directors’ cut of the film, supervised by director of photography Lisa Rinzler and codirector Albert Hughes, with 7.1 surround DTS-HD Master Audio soundtrack.